Monday, 13 April 2015

Final Intent


Intent
My intent for next year final major project is to understand how movement, gestures and facial expressions convey emotions. I will then use the gestural drawings to illustrate my own graphic novel narrative.
My objectives are to understand the human body in relationship to depicting emotion, so I want to study everything that causes movement and expressions such as seeing muscle movement and how muscle movement creates emotional gestural response. To achieve these things I have been looking at different forms of media to see how body movement has worked to show emotional response. I have also looked at comics to see how they depict emotion through movement in the image. Below are my findings of gestural movement by various artists’ work and medium which relates to what I want to achieve.
 My idea is to produce a comic that shows how body movement makes a story with very little narrative.  To achieve this goal I need explore a genre that expresses a lot of emotional reactions without using narrative. I want to go for a horror theme because with those kinds of films like Psycho and Alien it is mostly carried through with the characters body language. If the characters feel fear and show it through their body language, you also feel that fear with them. The best way to describe this effect is by using the scene from “Alien”, this scene is the chest bursting scene. The reason why I chose this scene was because the actors were not told about the Alien about to come out of chest, this scene showed natural fear and this was shown by the reaction of the characters/actors. This is the kind of natural movement that I want to focus on in my comic, ones that sends an emotion across without using words.               
The artists that I will be focusing on are a mixture but relate to the idea of creating emotion through body movement. 
Stjepan Sejic
Stjepan Sejic is a Comic book artist that produces and writes his own comics series. He has published his own comics with the help of the company he works for Top Cow. They helped him produce his own comic series namely Sunstone and Death Vigil.  Stjepan Sejic started his career by posting his artwork online and was noticed by Arcane comics for his first gig. He then got a job with Top Cow to colour covers with Tyler Kirkham and as time went on he got to show his drawings to the editor of Top Cow Renae Geerlings and then he was given the offer of creating his own comics series. His influences are Marc Silvestri, Michael Turner and Alex Ross.
With Stjepan Sejic’s work he does it in a style that captures the movement in each panel and when you remove the text you still get the sense of what is happening in the story by the characters body language/ movement and the facial expression. With my experimental drawings, I have tried to recreate this idea in my own comic panel. I think with this task I found it interesting how each movement still gives the sense of procession and still tells the story. I think when it comes to the final project and over the summer I will have to experiment more with this format and help it develop my ideas.         
Stjepan Sejic Sunstone

My own experiment based on Stjepan Sejic work 

Eadweard Muybridge Photographer
 Eadweard Muybridge is a photographer who created a series of animals and humans captured in motion. With these photos he created a whole range of angles and motional photos that show the natural movement of nature. Eadweard Muybridge is also the man that influenced motion pictures by using a zoopraxiscope, which gave the sense of movement by using a series of his images and moving them fast to give the illusion of movement. Eadweard Muybridge was influenced by the idea locomotion.  Eadweard Muybridge got into the photography business when he went back to America in the mid 1860s, with this return to America he specialized in landscape and architectural photography.         
With Eadweard Muybridge I looked at a range of series of movement studies to understand how natural movement occurs. With this I developed the idea to just do simple basic outline so that I could get the basic idea of what was happening in the series of movement. I decided on this because when it comes me developing my ideas in the major projects I can use this method. So that I can get the basic outline of a person movement and also to influence my future possible poses for my characters.      
|Example of Eadweard Muybridge photography work

My gestural line experiment





Peter Jansen Sculptures
Peter Jansen is a sculptor that studied Physics and Philosophy and after a few years of accompanying canoe and survival groups he decided to spend his life in art.  The movement captured in these sculptures are to describe a series of movement and capturing it into one single frame of time. To capture this movement he used 3D animation on a computer to for his influence. To create his pieces of work he creates casts of them and then recreate them either in bronze or Polyamide.  
With these sculptures I found it great for understand movement because it shows how it works by stopping a series of movement into one moment. With this I have tried to recreate these sculptures by simple filing them into basic shading to get the basic shape of them to understand the basic form and to get the sense of movement. With these sculptures I may look at 3D animation software’s that could possible create ones like this so that I can create my own motive to understand the human form.      


Example of Peter Jansen work

My experiment using Peter Jansen work

Marc Davis – Disney Animator
Marc Davis is an animator that worked for Disney. He help create the some of the most iconic Disney films and characters such as Cinderella or Maleficent. Marc Davis was a renaissance man because he did a multiple field of artwork. He was an art collector, painter, character designer, and story board, architecture for the Disney world rides, animator and fine artist. He taught his self by sketching at everyday locations. He was noticed by Disney because of his range of artistic skills and his artistic talent. He was influenced by the artist Frederick Remington’s sculptures because they captured the idea of movement. He was also fascinated by the idea of movement.     
With Marc Davis he learned movement from studying live subjects, he studied the movement of each subject. He captured the mood of the model by the movement such as tiger drawings which show that it ready to protect it territory by the way it’s back is going up and it mouth open slightly. It give the sense that it about attack. With this idea of movement I want to apply it to my own work. So to help me get ideas I need to study animals and humans from observation to get an idea of how emotion are shown through a poses.



Marc Davis movement board


Tiger Drawing by Marc Davis

Book: Marc Davis Walt Disney’s Renaissance man published by Disney editions      

With these artists they all relate to idea of what it takes to capture movement but in their various formats. For example Eadweard Muybridge captures the human movement through photography with Marc Davis visual records movement through drawings. Overall these artists visual record movement and show what it can give so for example with Eadweard Muybridge photo series of the women jumping over an object gave the idea that she was running away from something.
Body movement influence here are some of my finds:-
First- Sia Chandelier created on 6th May 2014
I chose this music video because it expresses emotions through movement.
With this music video it uses a dancer by the name Maddie Ziegler who performs free expression dancing which was choreographed by Ryan Heffington. This music video is about dealing with pain by drinking it away. The movement of this Dancer is expressing the emotions that are building up inside Sia as she drinks away. The randomness of the moves represents her mood swings and emotional state. As the music video progresses it starts with drinking and then getting drunk, this is shown through the movement and facial expression showing different emotions and as the music video comes to the end it is about accepting that pain.
With my drawings examples I have taken some of the dance movements to gain an understanding of the emotions put across with the body movement. The emotions that came across were erratic, you never got a sense of what was going to happen and it was unpredictable. This gave the sense of drinking when you are not in control. The emotions that I was drawing gave the sense that they were an emotional wreck and were also washed in sadness.  But when the music video came to an end I got a sense of accepting, this was shown through the dance slowing down and movement being more elegant than chaotic.              
  My drawings of Sia music video

Second- Metropolis Film (1927) A German expressionist film
This film which was created in 1927 was a silent film based on a future society that is broken into different categories rich from the poor. There is this main female lead called Maria who is played by Brigitte Helm who plays two roles in the movie. One of the roles is Maria as an innocent women that is trying to get the two classes of people to journey together, but in her other role she plays a role of a robot that has the same appearance but a complete different personality.
With this film I studied the character Maria’s movement and facial expression to understand how she creates the two entirely different characters. With the innocent Maria she moves smoothly and softly giving the feeling of good/innocence. This is shown by the small steps she makes and the gracefulness of her movement. While the other character is hunchbacked with one closed eye, she is also more expressive and more outspoken in her body language which is mostly shown through bold gestures.            
My drawings of the character Maria
These two films relate to each other because they show how movement effects a scene and how it expresses the emotions of the character, which is a major function that I want to aim for.  With the visual recording that I made with these two film taught me how emotion effect a scene and how it creates a emotion by just a simple movement so with this idea I want to continue this idea of expressive movement.
Objectives over the summer
  • To look other range of expressive gestures such as martial arts, acting, culture paintings, sculptures and puppetry
  • Do a range of short stories and create them in a graphic novel layout
  • To find and research horror writers writing style
  • To visual record movement and background from people from a everyday experience
  My intention over this summer is take a sketchbook with me where ever I go to make a visual recording of the scenes. I did this during my trip to Antwerp in which I visually recorded my journey. With these drawings what I will do is use different media such as ink and watercolours as well as my fine liners wash. With the drawings there selves I just need to practice to get better and also include a background to my models to make it visually interesting.      
Overall I have an idea what I want to do and I have a list of what I should do over the summer to help me develop my idea.






























Sunday, 12 April 2015

Weeks Seven to Ten research to create intent for next week

With these it was basically discovering what I would want to do as my final major assignment.


Thoughts process towards final major project.
Over the past few weeks we given the task of looking for something that could gives us an idea of what our intent could be for our final project. At first I knew that I wanted to create a Graphic novel, but this not an intent it more a technique I wanted to use. So with this I started to break down the idea of a comic, so for an example I used Stjepan Sejic comic Death Vigil and broke that into different sections. So when I broke it into different categories, the first was text boxes I found out that he would express emotions through the text boxes such as dread was expressed by a skull text box which is a good way to get across the idea of emotion without seeing the facial expression. I also found out that he would use different coloured text boxes with a different font to express the archetypes such as villains were red and the heroes were blue. The next sub category was the layout of the page for example when every it was an action scene the panels were layered tightly together and sometimes overlaid but when it was casual conversation the panels had a gap between them to give the sense of time passing by. The final category of the comic that has started my idea for my intent was the characters body language and facial expression. I found it amazing that it could send across an emotion by just using a facial express and body movement. This started me on my path on what I wanted to do for my intent.


So with the next week I had looked up more comics which focused on this idea of using body movement such as Gasoline Alley, Krazy Cat and Chris Ware work which focused the movement of time. With these ideas it was good to gain an idea of movement between panels. I also looked at artists that were basically sections. The artists were Leonardo Da Vinci who scientifically studied the human body and muscle movement and visual recorded them down, the next artist was Marc Davis who was an animator that worked at Disney animation studio and did a whole series of natural movement of animals and humans, one I thought would be interesting and relating to what I want to do would be Alfred Hitchcock storyboard which are created him that express get emotional and fantastic gestural movement and the final artist which focus on interior design is Michelle Morelan. But overall I needed to look at something that expressed more movement and I need to board my idea of movement, So with that idea I looked at silent films like Metropolis and Nosferatu a symphony of horror which express mostly movement and the talking is all down through screen text. This helped me look at what creates a scene for example in the film Metropolis the female lead Maria (Brigitte Helm) who played two different characters with same appearance. She express this by making the characters move differently such as Maria the human moves timid while her counterpart moves more snake like movement. Then with Nosferatu he moves slowly and stiff which gives the idea of being a moving undead through his body movement. With this idea I gained my intent of understand how body movement, gestures and facial expression express emotion. I will also need to task myself to look at other things besides films such as dancing, ballets, sports and etc.  


  • Intent: to displaying emotions and movement in graphic novel outcome with own creative story.
  • Theme: Supernatural/horror or everyday story illustrated.   


Artists for reference:


  • Marc Davis ( Disney animator)
  • James Jean (fine art)
  • Chris Ware( Comic artists that presents time in his comics)
  • Michelle Morelan (interior design)
  • Leonardo De Vinci (Renascence artist)
  • Alfred Hitchcock (Storyboard artist)
  • Sjtepan Sejic (Comic artist)
  • Claire Hummel (concept artist)
  • Shaun Tan (children book illustartor)


Writers for reference:


  • Neil Gaiman
  • Terry Patchet
  • Bill Willingham
  • Stjepan Sejic
  • H.P.Lovecraft
  • Brother Grimm
  • Hans Christian Anderson


  • Shakespeare
  • Vladimir propp 


Types of comic layouts:


  • Japanese comics (manga)
  • American comics (eg superman)
  • Online comics
  • Children comics
  • Children book layout
  • For action scenes the layout is tight and compact
  • For relax scenes there are large gaps between the panels
  • Some of the panels have a black box around them so they stick out
  • Some of the pages have panels blending with the background
  • One comic called Gasoline alley had a layout in which only the main character moved.
  • Sometimes with the panel layout the pages is overlaid with panels to fill in more story.  
  • The manga layout of pages relies more on shading and speech bubbles to express most of the emotion
  • Some comics relies on no speech bubbles to tell the story Aka non narrative (eg)


Text box layout:


  • Stjepan Sejic text display emotion besides the characters face expressions
  • In most comics they display the archetypes of characters through colour of text box (eg Villains: red, Hero: Blue and etc)


Photography


  • Dancing (Ball) (sai music video )
  • Mines (actors)
  • Gestures
  • Look at silent performances like puppets, silent films etc
  • Ball jointed dolls
  • Physically theatre
Alfred Hitchcock Storyboard






Chris Ware Building stories


Jamie Hewlett & Alan Martin Tank Girl


Kouta Hirano Hellsing


Georgie Herriman Krazy Cat


Frank King Gasoline Alley






Juanjo Guarnido Blacksad


Stjepan Sejic Death Vigil


Bill Watterson Calvin & Hobbes






Popeye


Marc Davis Motion board

Leonardo Da Vinci Body study drawings 

Michelle Morelan

What matter I have been looking at over the weeks:
 
Cinderella ballet (look at ballet chrorographify)




Sia- Chandelier music video 


Macbeth- Film movie


Psycho, Scene from Psycho


Romeo and Juliet, Play


The passion of Joan Arc

The kid with Charlie Chapman

Nosferatu: A symphony of horror

Metropolis
https://www.youtube.com/watch?v=E1kxfiY_1DA   

Martial arts
Gymnastics
Fairburn books

Look at sculptors
Look at impressionist

Adward mey

Cave paintings – patterns

Muppets
War horse

No theatre
Indian

Sign language

Body language       






Week five and six


Week five and six

Both films Directed by Alfred Hitchcock   

Film Northwest by Northwest: https://www.youtube.com/watch?v=mEpT9QC3CNU & https://www.youtube.com/watch?v=GbpUcAI86MY

Film Sabotage: https://www.youtube.com/watch?v=qukz70OaYf0

I was influenced by Alfred Hitchcock storyboard artwork of Sabotage

In these weeks I was given scenes of Alfred Hitchcock movies. These films were North by Northwest and Sabotage. The main focus of these scenes was to see how the layout of the camera shots and the emotions it is betraying in the shot. This exercise is to help us understand how the layout of illustration effects a whole scene and creates the emotions of the scene.

The first movie that I looked at was North by Northwest. This film scene that we looked at was the main character waiting for a bus. The shot that they used to opened with was a wide long shot to emphasize the feeling of being alone in a dessert. It was also clever with when a new object came into the set. They would then turn the camera to the first person camera shot. This was to give the view a feeling of hope think that the bus was coming. But beside the camera shots creating the emotion, it was also presented through character movement such as when another man comes into the set, you can read his body language that he does not want to speak and clearly his face shows discomfort with talking to the gentlemen. The next bit that I want to take about relates more to comic layout but it would be a good note to take down and this aspect is the time. Time sets up the pacing of the movie and I loved how it was building up to the plane in the background by constant showing it in the background and then it starts chasing the main character.

The next movie was Sabotage and the scene that we watched was about the boy carrying a bomb through a city. Most of this movie is a mixture of close-up, wide shots and extreme close ups. They include these shot by showing a large crowd, zoom in on the boys face and the movement on the clocks hands. This film scene is mostly build up suspense. This is shown by the camera shots which go in an order of wide shot, close up and then extreme close up. The thing that builds up the expense is the order speeding up. The things that provide the emotion to the film is the boys face because as an audience member, you now that he is carrying a bomb but his face expression show that he has to just deliver a package. You feel sadness and scarred for the boy because he does not know about the bomb and you do not know if he is going to get there or not.

With the films given, I had to then look at Alfred Hitchcock storyboards which were amazing to look at because the present the shading that he want from a scene, what he want to show and with intense detail. This overall is a good example to follow when creating my illustrations in the future.

The little drawing projects that I had to do with information were to create a storyboard from my own work.  I decided to go for my animation project because I needed to create the storyboard. My story is about a satyr following a dryad and confessing his love to her. With this in mind I looked at the pacing of Sabotage because I want this animation to be about emotions mostly through facial movement but I also want to use the emotional body movement like North by Northwest. I also did quick little thumbnails of Sabotage to show the scenes that showed the used type of a Camera shot.

The next drawing assignment was to look at a painting of a couple reunited. The scene is quite emotionally because it shows a wife paying for her husband bail, and the sadness and relief is mostly shown through the body movement such as the husband not showing his face which is resting on the wife shoulder. With this picture we had to create a camera shot with the types of shots given to me, to emphasise the emotions of the painting. I decide to do a close up on the wife face with the baby and husband because it show the strength of wife and mother in her face expression and the sadness of the husbands face.  I also did a scene based on the piece because I wanted to show the scene in which gave the husband freedom. Overall this exercise was very useful because it showed the uses of layout your illustration and what it can do emotional to the scene.

                                            





Alfred Hitchcock storyboard artwork





Visual notes from watching Northwest By Northwest

Notes of Movie direct, guessing character background and emotional response




Notes of shots used in the movie Sabotage


Image used a reference for Drawing excise





Drawings of the image and film provided but recreate them into different camera shots.

Monday, 16 March 2015

week four



Week four Analysing poems


This session task was to create a series of illustrations that would be presented to a group of school children. But before I started the actually making the covers, Kieran wanted to present use with an  range of themes that we going to be used for the poem covers but he also gave me some media to use as a beginning point and a understand what we would do when we giving information when creating something. Our themes were Childhood memories, Identity and inside our head. The first one I had was Children memories which was a by poem “some of these things are true” by Fern Hill. This poem was about the concept of time and memories. This was an interesting poem because it had a ton of visual props and metaphor. So I had a lot of information to go with. With this information I decide to create an illustration that illustrates sections of the poem. So my plan was to take the six paragraphs and create them into six sections. But overall this did not work because it would take a lot of analysis of the poem and add a lot of detail. If I had more time I would take up this idea. But this was just practice. The next subject was identity which we had a film which was “1928 Dadaist film” which was a film based on the concept of time and the movement of Dadaism. Overall this video contained a sense of bending reality and giving the sense of illusion through giving inanimate object movement and the concept of time was given through the rewind of the movie. With this I came up with the idea of evolution of cat changing into a human-cat. I got this idea from the movement of time and the idea of identify. My idea was that the cats lost it identify of being to animal then gain the identity of a human. The final image to create was the theme into the mind in which I had to create a image while listen to Cinq Nocturnes by Erik Satie .This classic piece of music was a mixture of soft and hard notes on the piano, while listening to music I imagined a ballerina dancing on a piano because one that was the instrument being played and also I imagined ballerina because of notes being played remind of dance movements. This image overall matches the theme because it was what was in my head, what I imagined. Overall this exercise helped me understand what would be expected of me when given information and asked to create a illustration to it. With this exercise I also took my previous information of take my time with the thumbnails which create detailed drafts which clearly visual explains what I explain to do. Also with this task in which I was given images to analysis which was a fun task and a great way to get a idea of what to do. To see my take on this, see them below.                                      
                
Ideas one

Ideas two

Ideas three